Saturday, January 10, 2015

MISTER R Opening Scenes

FADE IN:

EXT. DIMLY LIT NEW YORK STREET. WAREHOUSES AND CLOSED

SHOPS.

A young blonde woman looks nervous and scared as she

hurries along a sidewalk. Every few steps she glances back

to see who is following her. Her heels click on the

pavement so she stops to remove her shoes. She looks behind

her once more and screams. A black shadow overtakes her.

She is next seen laying on her back on the pavement as she

tries to fight off a dark figure in silhouette. Something

glints in the streetlight. The young woman screams louder.

EXT. SAME URBAN STREET WHERE THE YOUNG WOMAN

COLLAPSED.PORTABLE FLOOD LIGHTS ALLOW US TO SEE POLICE CARS

AND AN AMBULANCE ARE ON THE SCENE.

A body on a gurney is loaded into the back of the

ambulance. Sebastian Stephens is talking to a young

detective identified as Nolte by the I.D. badge hanging

from his neck. An older man slips out of an alley wearing a

fedora and a black topcoat with the collar turned up. He

sees the police activity, pulls the brim of his hat down

over his eyes and detours away from the gathering. He

passes a taxidermy shop window filled with birds. A crow is

prominently positioned in the center of the display facing

the street.

EXT. EARLY SUMMER. MIDNIGHT. NEW ORLEANS.

MASSIVE FAST-APPROACHING STORM CLOUDS APPEAR TO BE LEAD BY

A MURDER OF CROWS FLYING PAST IDENTIFIABLE LANDMARKS

STREETS. THE CROWS CONTINUE WEST CIRCLING THE GARDEN

DISTRICT AND LOWER TO THE GARDEN GATE ON THE SIDE OF

SEBASTIAN STEPHENS' HOUSE. THE GATE OPENS ITSELF TO REVEAL

A BEAUTIFUL WELL-KEPT FRENCH STYLE GARDEN. THE LEAD CROW

DESCENDS AND LANDS IN THE SHADOWS NEAR THE HOUSE. A PAIR OF

INCREDIBLE BLUES EYES STARES OUT FROM THE DARKNESS. NO

OTHER FACIAL FEATURES ARE DISCERNIBLE AS THE CROW SURVEYS

THE STEPHENS' GARDEN: THE BACKDROP OF FLOWERS, THE GARDEN

LIGHTS, THE BRICK WALK LEADING THE VIEWER TO THE PATIO AND

FINALLY TO THE SEATED FIGURE OF SEBASTIAN STEPHENS. HE IS

30-ISH, FULL-CUT AUBURN HAIR, HIS FACE IS CONTOURED BY

STUBBLE. HE WEARS A PALE BLUE V-NECK PULLOVER SHIRT OVER

KHAKI PANTS AND SOCKLESS CORDOVAN LOAFERS. HE IS SIPPING A

GLASS OF ICED TEA AND IMPATIENTLY LOOKING AT HIS WATCH.

2.

Mister R steps out of the shadow of the house. He is

dressed completely in black except for pearl grey gloves.

Everything about him shows wear and age.

MISTER R

Mister Stephens? Good evening.

Sebastian stands at attention. Defensive. He and Mister R

size each other up for fight or flight like territorial

animals.

SEBASTIAN

I expected you hours ago. You said

this was an urgent matter, yet

you're late.

MISTER R

My apologies. You were kind to

agree to see me on such short

notice.

SEBASTIAN

You caught me by surprise, sir. Do

you always come around the rear of

a house when you call on people?

MISTER R

I knocked at the front door. There

was no answer. What a magnificent

garden. You have quite a green

thumb, Mister Stephens.

SEBASTIAN

(Holding up his hands for

inspection.) No green thumbs here.

My parents created this. All I do

is water the plants and replace

them as they die. No special

talent.

MISTER R

Still, you keep the magic going.

SEBASTIAN

Magic?

MISTER R

Of course.

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